Core idea Loudness, brightness, and transients are three descriptions of the same moment, not separate levers Sharp transients need high frequency content, lows are too slow to build a fast edge 50Hz wave takes 20ms per cycle, a snare snap happens in 2 to 3ms Low end still carries impact (chest feel), but the “snap” Read More …
Tag: basement studio
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The Instrumentalist vs. The Musician Mindset
The trap References are meant to guide, not dictate Easy to slip from “informed by reference” to “forcing mix to match reference” Two mindsets Instrumentalist: only hears own part, copies reference note for note, ignores that arrangement/tracking/instrumentation differ, boosts highs just because reference curve is bright, ends up harsh/brittle Musician: hears whole piece, knows where Read More …
Scoring a Film With Two Old Computers
You don’t need a powerful machine to score a film. You need your computers to agree on what time it is, and to not fight over the same resources while they do it. This guide is for composers working with older hardware and no budget. The idea is simple: your desktop makes the music, a Read More …
Studio Notes – A Rhythm Guitar Pulse
Sometimes you want to feel a pulse of the track, but maybe the drums and bass are just not enough. If you have a strumming Rhythm guitar you can use your automation to make it pump to emphasize the beat. The pumping Rhythm guitar trick first of all select the Rhythm guitar track that you Read More …