Taming Snare Leakage in Overhead Tracks for a Tighter Sound

As an amateur home studio enthusiast, you may have encountered a common issue: your overhead tracks sound great, but there’s just too much snare bleed. This leakage can muddy your mix, making it difficult to achieve the clarity you desire. Fortunately, there’s a technique you can use to gain better control over this leakage and Read More …

Perfecting Snare Delay Timing for a Cohesive Mix

To achieve a polished mix, it’s essential to time your free delay to the BPM of your song. This ensures that the delay complements the snare without clouding the overall sound. Avoid processing the snare drums separately from the other instruments, as this can disrupt the cohesion of your mix. To get the timing just Read More …

Unleashing Snare Definition

As a home studio enthusiast, I’ve discovered that achieving the perfect snare sound can sometimes come from unexpected methods. Today, I want to share a unique approach to using a compressor that can help you get the snare definition you’re looking for. First, I start by playing the song and focusing on the snare.  To Read More …

Expanding Your Bass Sound

As a home studio enthusiast, I often find myself in situations where the bass needs to stand out, especially when working with synth bass or imagine it is a power trio setup. The challenge is to create a wider sound without losing the essential low-end presence that keeps the mix balanced. Today, I want to Read More …

Studio Notes – ADR – Automatic Double Track

Abbey Road Studios designed automatic double tracking and here’s a way to simulate that effect First insert a delay across the vocal that doesn’t matter what the delay is in terms of short medium or long we’re going to set it to somewhere around 75 milliseconds it start it doesn’t really matter and if it Read More …